In this picture, Mitchell looks an aweful lot like Henry, doesn't he? But henry had hair that could be splict.
Goddess, this episode did it's darnedst to kill me. Right in the face. Tore out my heart, and then killed me in the face.
Mitchell defends a kid from bullies, and they become fast friends-- the kid reminds him of his young, human self, and he wishes someone would have stuck up for him. The mom's fine with it, he needs a father figure and a friend. And then Mitchell lets him borrow a DVD, but it's the wrong one in the case-- it's the snuff film from last ep, but the mom doesn't know that, all she knows is that there's a picture of a naked guy, all aroused and grinding, and then dead, and she assumes that Mitchell is a perv. And the townsfolk turn on them.
Meanwhile, George is trying to have a relationship with Nina, and he's scared that she wants the Wolf, but she's relieved that he's not always like that. But when things go south in the neighborhood, George crawls back into his hole and won't talk to her and breaks up with her, and it's terrible, because she's trying and she can't understand waht could be so horrible about him that he'd rather she thinks he's a pedophile.
Annie's gone poltergeist, but she can't control it, and even the thought of seeing Owen again makes all the lights in the house explode. When he does come by, she subliminally affects Jenny, and creeps out Owen, which makes him show his real self. He tells the boys they have to leave at the end of next month, and Annie burns off all her old harded pictures; he's taken everything from her, but he's not taking her boys or her house.
The cops, of course, are headed up by the vampires, and they basically tell Mitchell that if he turns his back on them permanently, they'll let this get all out of hand and he'll never live it down.
The kid in question, Bernie, tries to appologise to Mitchell, and the neighbors misunderstand and start a fight, and when Bernie's running back to his mom, Mitchell isn't fast enough, and he gets hit by a car. Because the dying nurses weren't heartrending enough, now they have to kill kids. The shock sends George to Nina's house, where he tells her what happens, and she calms him down, and they come back around to the secrets; he isn't ready to tell her what his is, and she makes them even by showing him some horrible scars and saying that she won't tell him, either. Everyone has secrets.
Mitchell goes into the hospital and confesses to Bernie's mom (Fleur, even though with her accent, it sounds like Flerr) what he is, and gives her the choice: let Bernie die in a coma, or let him help them by saving Bernie. It looks like she lets him die, but then when they're at the train station, she appologises to Mitchell, and Bernie comes up behind them, pale and cold, but not dead. He tells Fleur that she needs to stay with him, keep him good, implying that she needs to keep him human, and then he leaves them. Again. Like he did with Lauren, and like he couldn't do with deadnurse, and like he promised not to do again. And then he goes back to Herrick, and rejoins the nest.
Every interpretation along the way was the wrong one, every choice was for the worse. I don't know if I can handle it if it keeps going like that.
But it did have the best line: "I'm not suggesting we wear chastity rings like American kids, and don't shag because we're mental, just that we take it slow."
I'm liking Annie the poltergiest, but I hope she doesn't turn bad, and I hope resolving her anger doesn't set her free; the show would have to find a new ghost. I'm not liking Mitchell giving up on humanity and leaving another offspring behind; it's so nihilistic, and he was the one who wanted to regain his humanity so badly. I'm loving George making it work with Nina, even if every single thing he says is the wrong thing, and his awkwardness knows no bounds-- and I still think that if anyone can handle what they are, it's Nina. Maybe her scars even came from something supernatural that she hasn't faced yet (which would be flippin' awesome, and would really tie the room together-- I mean, the plot together). And telling her would go miles toward building some trust in George, since he lost everything and doesn't even trust himself. There can't be many episodes left; this is getting really tough.