Showing posts with label books. Show all posts
Showing posts with label books. Show all posts
Wednesday, July 29, 2009
Thursday, July 16, 2009
Monday, June 15, 2009
books: the blue sword

This is probably the seventh or eighth time I've read this book; I first picked it up when I was... what, fifteen or sixteen? I think it was of my own accord-- I'd already read The Hero And The Crown for summer reading when I was somewhere around twelve, and I'd only just discovered that people who write one book I like probably have other books I'll like. And I did.
It's an easy read, but in a good way, no less complex because it's easy, though it is much simpler and more affected than her more recent stuff (I think Sunshine is the most beautiful and complex one of her's I've read yet, but I haven't picked up Chalice yet, and I haven't read everything she's written)-- but affected in the way of an early book, no in a way that I hate. Harry is relentlessly unpretentious, and that probably saves the book, though she does get a little too formal at the end. I mean, she just saved the world. But I understand that she was fully accepting the Hill Ways at that point, and they're formal and traditional, so it's okay. It makes sense in the context of the book, and it's charming enough in it's own right.
It's set after Hero by, like, five hundred years, but written before, and not everything said about Aerin comes out in the next book that's actually about her, but the large timespan makes that okay, too. She's mostly legend by then, and the core of who she is is in Hero the same as it is in this one. Though I do wish that there were more Damar books; it's a wonderful place perfect for semi-YA high-fantasy, but I'd rather have these few wonderful stories than a glut of ones I don't like that were just written because she thought she should.
So, here on the eighth reading, even knowing how it all goes, I can say it's still great fun, and with enough space between readings, still surprising. I forgot about the Trials and Mathin, I forgot they went to see Luthe, I forgot that they split up and had to be reunited; I think maybe I forgot on purpose so it's like reading it for the first time again-- a first time with a lot of deja vu.
Monday, May 11, 2009
book: odd and the frost giants, neil gaiman

(picture borrowed from Neil's own post about it)
It constantly amazes me how flexible Neil Gaiman's style is. There's a whole lifetime in core audience between American Gods and Odd, and yet, both feel like Neil Gaiman. They have the same delicate understanding of how people work, the idea that there's more going on in the background that doesn't directly impact the current story but definitely informs it, the bone-deep certainty that this is how the Gods are.
Odd and the Frost Giants is lovely. Being older than eleven, it took me about three hours to read it, but it was a whole story-- it didn't feel as thin and substanceless as a lot of stories aimed at kids do: it was written in such a way that the fact that Odd was orphaned and abused and strange to boot could be generally ignored by those who aren't old enough to know what that means, but also so that all of it comes through for those of us who are, and makes the story fuller, rounder, easier to read as an adult. And that's how the best kids books are written: in layers that let us still enjoy them when we're technically too old for them. I wish Neil had been writing when I was seven; I wish I could have incorperated all these books into my psyche when it was still forming. As it is, I'll incorperate them into my already weird adult psyche, and I'll write my own stories informed by his sensibility, and I'll save these lovely books for my own kids, mixed in with the ones I did read when I was seven.
I love stories where Gods have the be helped by people. People are neat; they're changable. Gods are what they are, and sometimes that gets them into trouble. Odd gets us out of the trouble by being quiet, sincere, and very clever. It's set in a violent, cold, Viking world, but the violence is all background; Odd is quiet and determined and smart enough to figure things out, and that's a lovely thing for kids to see.
I only wish he could have stayed a kid at the end, though I understand that children always seem to want to be adult; the reverse comes after you realize how much being grown up sucks.
Wednesday, April 29, 2009
books: imago, octavia e butler

This book is... not one of my favorites. It has all the things that should make it right up my alley, but it somehow didn't come across as the sort of thing I like-- and yet I couldn't put the thing down. Even with it's ugly cover and my copy's massive copy errors that kept kicking me out of reader mode and into editor mode. It was a short book. It shouldn't have had so many errors, mispelled words, repeated words, missing words. And it wasn't an advance reading copy, either.
Anyway, enough of that particular hobbyhorse.
Imago is the story of Johdas, half-human and half-alien, going through metamorphosis and becomign what he'd/ she'd/ it'd become as an adult. There's five parents, two human and three alien, various siblings, various normal and mutated humans. There's a post-apocalyptic vibe going on-- there was a terribly destructive war a generation or wo before-- mixed in with a preapocalyptic one-- the aliens will eventually leave the earth a broken and used-up husk. Johdas comes out of metamorphosis as an ooloi, the third gender that helps the aliens breed with the new species they encounter, as well as letting them correct genetic abnormalities, collect DNA of anything that has it, and being the lynchpins of their society. It wasn't supposed to happen in human-pairings; they were designed to be male or female, and a human-ooloi is not just unexpected and unpredictable, but also dangerous, they claim, because it could damage DNA without knowing it.
Sounds good, right?
But Johdas doesn't really damage much, and what it damages, it fixes. And never damages humans or plants or microbes, only alien-things like them, their ship and their town-beings. And he gets that under control with little enough trouble. His sibling has a rougher time, but he fixes that, too, with almost no trial and error-- which would have made the book more interesting a read. He goes looking for human mates, and that, even, is sort of uninteresting; there's lots of weird alien sex, but all of it so oblique as to be ignorable, and the people are put in a position of physical dependance on the alien presence of him: they're addicted to him and have no choice. And he knows it. And he doesn't tell them.
Maybe that's my biggest problem: Johdas is kind of a jerk, his people are all jerkish, and the narrative is told from this jerkish point of view, where humans are constantly being called treasure and wonderful and interesting, and then being kept as breeding stock, too addicted to thin straight, even when they think they should be. There's so little choice in the whole story. It's innevitable, and innevitability is dull, even when the actual events-- preparations for leaving a dead world, unheaval in the alien societies, human resistance and how it's overcome-- are really pretty interesting ideas. It was constantly bothering me on fundamental reading and writing and plooting levels, and yet I kept reading it. I didn't even like it, and yet I kept reading it. It's like it was making me, like the book itself was that alien jerk, addicting me. And I have a problem with that-- if she could accomplish that on a dumb story, think what she could accomplish on a good one.
People keep telling me to read Butler's books, and I'm not all that impressed with this one, but it had good ideas. Hopefully it's just an early one and good ideas don't always come out this annoying.
books: turn coat - book eleven of the dresden files

Book eleven! Though they've totally stopped numbering them, so I guess it's indefinite. Which I'm totally alright with. Because it's really becoming an addiction now-- I've caught up with him, and now I have to wait, and I think the only thing that will keep me from going bonkers is a combination of the fact that he writes a new one every year, and the fact that I can write my own stories to fill in the gap.
Anyway.
Harry's having terrible headaches that are never really incorperated into the story when there's a knock at the door and a bloody and beaten Morgan says he needs help. Harry, being Harry, doesn't tell him to bugger off, and instead decides that he'll fight for the underdog, even if the underdog is a right bastard and doesn't deserve it. It seems Morgan's been accused of a Senior Council murder (one of the ones we never had to deal with), and Harry doesn't think it's him, despite all the mountains of evidence against him. Let the craziness ensue while Harry shelters a criminal, Molly keeps getting herself almost killed, Mouse proves he's the coolest dog in the world, Murphy kicks ass and does it well, a skinwalker almost walks off with everyone's skin on multiple occasions, a minor criminal wizard named Binder turns out to be pretty fun, a new PI horns in on Harry's turf, Thomas gest kidnapped, Madeline is a vampiric skank, Lara is a vampiric mob boss, Harry has relationship issues with Anastasia, Morgan bleeds on everything and keeps picking fights, and the Black Council makes moves. Lots of moves.
I totally called the villain before the half-way point, but Butcher's good enough that I thought I'd miscalled and was surprised anyway.
New developments, characterwise: Harry seems to be feeling his age a little-- he keeps talking about how long he's been doing this, and he's finally starting to think ahead and think in new directions. He's also still crazy old Harry, forming psychic bonds with myterious old islands, throwing around Soul Fire and making bold challenges to everyone he meets. Which is how we love him.
He hand Murph both said the L-word (not 'lesbian') and it almost made me cry-- both because it was sad and heart-wrenching and uncertain, and because it was totally not the sort of culmination of passion that I want. But it's still there, on his side at least. C'mon, Butch! Stop being all Mulder-and-Scully on me! It's been ten years!
Molly is nursing some serious demons, and she keeps slipping up. Sooner or later, this is going to be a plot, and it's so not going to be pretty.
The Senior Council is half made of jerks. But we knew this already. All of them, however, finally get a little character development, as well as Morgan and Luccio, and this is all good. But Morgan? Remember when we got backstory on Snape? That's all I'm saying.
The Pixies are getting bolder and more devoted to Harry and so much more organized that people are noticing. And Toot-toot is still the coolest.
I'm going to have nightmares about skinwalkers for the rest of my life now.
Thomas-- no! But I suppose the way things were just couldn't last, story-wise. It's been done, and it'd eventually get boring, though I hadn't reached that point yet. (note: one of the things I like best about these stories is how I can tell he's always got a mind toward what will make a better story. Poor Harry's been beaten repeatedly by everything under the sun, including his personal life, and there's still new stories to tell. And he's always unexpected. I've read eleven of theses books now, and I'm still greatly enjoying them and waiting with rapt attention for the new ones. Maybe I'll have to actually buy all the previous ones (I've been borrowing them) and re-read my favorites periodically)
And the plot thickens without once causing everything to get too dense. The Council denies there's a Black Council. Harry and McCoy decide to do something about it. Politics are all up in arms all over the world. Everyone's a threat! Nothing is sacred! And it's still an endge-of-your-seat compulsive read. I'm getting good at devouring these things in three days flat.
Monday, April 27, 2009
books: small favor - dresden files book 10
Yay more Harry Dresden! This one is centered around a favor Mab is asking of Harry, one of the ones he owes her: save Marcone-the-mobster from the people who kidnapped him. Turns out those people are the Dinarians, the fallen-angel-demons from a few books ago. And then the story is all about them, with not much to do with Mab, which made me a little sad because she's so weird and messed up, but I see why she isn't there tangling up the already-tangled plot. Because in true Dresden fashion, there's not just fallen-angel-demons on his tail, but there's ever-larger and more powerful champions of Summer out to get him, too, because they think that he's tipping the balance too far by helping Winter in this matter. And there's the return of the Archive / Ivy, who I love and was glad to see, even though Butcher seems a little vague about how big an eleven year old should be (which can be overlooked, as she's not really a normal eleven year old, anyway). And there's a new mobster who's trying to snap up some of Marcone's territory while he's out of the picture, who mostly just messes things up and gets inconvenient. And there's a Mab-induced blizzard going all through the book. And there's the Carpenter family and the return of Sanya. And there's Murphy trying her damndest to get right in the middle of things, which, for once, Harry allows because by now, he should know that she isn't going to listen to him if he tries to protect her.
Here's the deal: The Nickelheads want Marcone to be turned, and will get all his power and influence for themselves. They also want to get Harry to call in the Archive so they can kidnap her and turn her-- getting all the knowledge in the world and unleashing the End Times that they so enjoy. Mab wants Harry to get Marcone back, and never really says why, escept that she's repaying debts. Summer wants Harry dead because he's working with Winter. The Nickelheads didn't know that one of their own was in on the raid on Arctis Tor that Harry came in after. The holy sword Harry's guarding becomes a major player, both as a bargaining piece and as something that's looking for a new weilder. Michael's life changes. Molly gets to be helpful a little, but comes to grips with the fact that she's no good in combat. We get to learn something about Ivy's history and maybe something interesting in how Kinkaid fits into it, though I'm hoping it's a red herring for my own personal amusement. Marcone isn't as much a jerk as usual. His guards might be in love, and Gard is seriously a bad-ass-chick-- she remebowels herself when she's disemboweled by a demon. Seriously. And Harry gets the attention of the other side, and a gift from an Angel. And there's the beginings of a new love life for Harry, though it annoys me that it still isn't Murphy-- I mean really, they both admit that they like eachother, and they're sort of in the same mindset now, but they still aren't together? What gives? Maybe jealousy will get through to her?
Anyway.
Overall, another enjoyable read, as always, and I devoured it in about four days. As per usual. I don't think it was as tight as some of the previous ones, but the looseness works for it, too, and there were some twists that I didn't even see coming, which is amazing. Usually I can spot a plot twist a mile away. There's alot of new plot going on: the good angels have joined the fray a little, Harry's got new powers, Michael's changed, there's romance, Harry and the Biggest Gruff reach an understanding, there's more to Ivy and Kinkaid than we knew before and more to come, I hope, the Dinarians aren't obliterated, one of them has gone rogue, maybe more, and Winter is on a sort of slow rampage, Harry is good at leading the lesser magics and being a Warden, and we didn't have to deal with Morgan at all. Never a boring day here, is it?
Thursday, December 4, 2008
books: UnLunDun, by China Mieville
Yup, ladies and gentlemen, I finished UnLunDun first, and I'm kind of sad because now it's over and I can't look forward to there being more story when I go to bed each night. (It's been replaced by Frek and the Elixir, which it weird and entertaining so far in the first two chapters, and fulfills this month's imperative to read a book I already own.)
Let me say up front: I loved this book. I almost cried at the end because it was over. I did cheer at how it was over. I went up to my roomies and told them they have to read it.
And here's my favorite part: It's a classive 80s fantasy movie turned on it's side and rotated a bit. Zanna and Deeba are normal little London Chavs, going to school, living in Estates, using poor grammar, being teenagers-- and then they realize that animals keep taking special notice of Zanna and soon they find themselves in UnLunDun, the oter side of the coin that is London, what's called an abcity. All the major cities have them, and they all have clever negation-names like Parisn't and Old York. Everything lost and unwanted in London winds up in UnLunDun where everything is weird. Bus conductors are sworn guards of the people, the people aren't always people, trash has a life of its own, puns abound in clever and useful ways, and the smog is the worst thing the city has ever seen. It seems there's a prophesy that means Zanna will defeat the Smog, and the whole thing is mapped out in the Book they have to go consult to tell them what to do and how to get home...
And then it all goes a bit hinky. I would have loved it if it stayed entirely on track, having gorwn up through the Age of 80s Fantasy and being very fond of it, but I love it more because it's aware of all those things, all those tropes and expectations, and it comes at them sideways. Zanna, the chosen one, gets infected with smog and comes out of it with no memory and bad lungs-- leaving Deeba, who wasn't even mentioned except as a 'funny sidekick' in one line, to find a way back and to help. She kidnaps the Book and teams up with Hemi the half-ghost, who everyone is convinced is a minor villain, the heads out on the quest Zanna was supposed to make and decides it's too long and cuts right to the end-- using her brains and her heart to get through the challenges, and making friends along the way. The weapon they get is amazing, a big gun that does UnGun like things, and the final showdown is one of the best I have read.
The book is gorgeous. A dozen or so characters, and probably more minor characters are all individual and strange, the plot is very well-handled and polished, with no loose ends that I can see, and the bit at the end where Deeba has to go home and they're all pulling that 'we'll never see you again' thing the new friends always do? Priceless. I want to read this book to my kids. It makes me sad that it didn't exist when I was a kid. It's like Alice in Winderland and NeverWhere and Labyrinth and NeverEnding Story all thrown together with a bit of MorrorMask and some Stranger Than Fiction (just a pinch), and it's so visual that I have no problem comparing it to movies.
And it's written like it's aimed at kids, but it assumes they're smart enough to get the jokes and understand the consequences, and that makes it amazingly readable by adults.
So go read it.
Let me say up front: I loved this book. I almost cried at the end because it was over. I did cheer at how it was over. I went up to my roomies and told them they have to read it.
And here's my favorite part: It's a classive 80s fantasy movie turned on it's side and rotated a bit. Zanna and Deeba are normal little London Chavs, going to school, living in Estates, using poor grammar, being teenagers-- and then they realize that animals keep taking special notice of Zanna and soon they find themselves in UnLunDun, the oter side of the coin that is London, what's called an abcity. All the major cities have them, and they all have clever negation-names like Parisn't and Old York. Everything lost and unwanted in London winds up in UnLunDun where everything is weird. Bus conductors are sworn guards of the people, the people aren't always people, trash has a life of its own, puns abound in clever and useful ways, and the smog is the worst thing the city has ever seen. It seems there's a prophesy that means Zanna will defeat the Smog, and the whole thing is mapped out in the Book they have to go consult to tell them what to do and how to get home...
And then it all goes a bit hinky. I would have loved it if it stayed entirely on track, having gorwn up through the Age of 80s Fantasy and being very fond of it, but I love it more because it's aware of all those things, all those tropes and expectations, and it comes at them sideways. Zanna, the chosen one, gets infected with smog and comes out of it with no memory and bad lungs-- leaving Deeba, who wasn't even mentioned except as a 'funny sidekick' in one line, to find a way back and to help. She kidnaps the Book and teams up with Hemi the half-ghost, who everyone is convinced is a minor villain, the heads out on the quest Zanna was supposed to make and decides it's too long and cuts right to the end-- using her brains and her heart to get through the challenges, and making friends along the way. The weapon they get is amazing, a big gun that does UnGun like things, and the final showdown is one of the best I have read.
The book is gorgeous. A dozen or so characters, and probably more minor characters are all individual and strange, the plot is very well-handled and polished, with no loose ends that I can see, and the bit at the end where Deeba has to go home and they're all pulling that 'we'll never see you again' thing the new friends always do? Priceless. I want to read this book to my kids. It makes me sad that it didn't exist when I was a kid. It's like Alice in Winderland and NeverWhere and Labyrinth and NeverEnding Story all thrown together with a bit of MorrorMask and some Stranger Than Fiction (just a pinch), and it's so visual that I have no problem comparing it to movies.
And it's written like it's aimed at kids, but it assumes they're smart enough to get the jokes and understand the consequences, and that makes it amazingly readable by adults.
So go read it.
Wednesday, November 19, 2008
white night: dresden files book nine
I'm so sad I finished the last book I can get my hands on without paying for it or lugging my ass out to the library. But I'm happy that now I get to go to the bookstore, because I also want to pick up Chalice and... something else that's escaping me just now. Damn.
Anyway, this book brings us Harry helping Murph solve the case of a serial killer that makes it look like suicide-- and who's calling card is mystically-imprinted references to the line in the Bible about not suffering witches to live (though using magic to leave it kinda puts him in a pot-kettle-black situation, and no one mentions that). Which leads them to realize that the women were all low-grade magic users, which leads them to the Ordo, an organization of witches that aren't strong enough to join the Council, but are mystical enough to need togetherness to help handle it. And some of them are Wiccan, and like the Circle. From there, we learn that the women were last seen in the presence of a very tall man in a grey cloak, and so people in the Community are thinking Harry's gone batty / murderous and he has to work against their distrust of him as well as their fear of getting killed. Eventually, we get around to the machinations of the White Court, there are flashbacks to something bad that happened between books and informs the climax of this one, there's secretivity from Thomas and a really crazy-fun clearing up of that storyline (though someone said there's a Thomas book coming out? hope, hope!), there's people stealing other people all over the place, there's working with Marcone and getting random benefits from his businesses, there's training of an apprentice who's too headstrong to realize why she needs to learn, there's Murphy kicking ass (and I'm always a fan of the books where Murph gets to do things) and being kind a little (which keeps the shipping going in my head), there's ghouls, there's crossdressing, there's the Return of the Ex (again) there's vampires of various ilks, there's infighting, there's fire, there's Harry manifesting anger issues, and there's alot of Lash / Lasciel the Fallen Angel (which just proves that Harry is stubborn as all hell, but comes to a good conclusion after several books of being there). And it ends on a fairly up-note, storywise, and that's a good thing. Happy Harry is more fun then Depressed Harry.
Harry seems to inspire people to do what he does, and it's neat that Jim Butcher is running with this idea and having Harry go more equality-- all magic users need defense, not just the Council. I like this tack.
But I'm still sad I have to wait for the next one now.
Up next:
Either UnLunDun or Three Days to Never, whichever I finish first.
Then, hopefully, Chalice, and maybe the next Song of Ice and Fire / the short stories collection. We'll see how well-stocked out B&N is before I say for sure.
Anyway, this book brings us Harry helping Murph solve the case of a serial killer that makes it look like suicide-- and who's calling card is mystically-imprinted references to the line in the Bible about not suffering witches to live (though using magic to leave it kinda puts him in a pot-kettle-black situation, and no one mentions that). Which leads them to realize that the women were all low-grade magic users, which leads them to the Ordo, an organization of witches that aren't strong enough to join the Council, but are mystical enough to need togetherness to help handle it. And some of them are Wiccan, and like the Circle. From there, we learn that the women were last seen in the presence of a very tall man in a grey cloak, and so people in the Community are thinking Harry's gone batty / murderous and he has to work against their distrust of him as well as their fear of getting killed. Eventually, we get around to the machinations of the White Court, there are flashbacks to something bad that happened between books and informs the climax of this one, there's secretivity from Thomas and a really crazy-fun clearing up of that storyline (though someone said there's a Thomas book coming out? hope, hope!), there's people stealing other people all over the place, there's working with Marcone and getting random benefits from his businesses, there's training of an apprentice who's too headstrong to realize why she needs to learn, there's Murphy kicking ass (and I'm always a fan of the books where Murph gets to do things) and being kind a little (which keeps the shipping going in my head), there's ghouls, there's crossdressing, there's the Return of the Ex (again) there's vampires of various ilks, there's infighting, there's fire, there's Harry manifesting anger issues, and there's alot of Lash / Lasciel the Fallen Angel (which just proves that Harry is stubborn as all hell, but comes to a good conclusion after several books of being there). And it ends on a fairly up-note, storywise, and that's a good thing. Happy Harry is more fun then Depressed Harry.
Harry seems to inspire people to do what he does, and it's neat that Jim Butcher is running with this idea and having Harry go more equality-- all magic users need defense, not just the Council. I like this tack.
But I'm still sad I have to wait for the next one now.
Up next:
Either UnLunDun or Three Days to Never, whichever I finish first.
Then, hopefully, Chalice, and maybe the next Song of Ice and Fire / the short stories collection. We'll see how well-stocked out B&N is before I say for sure.
Monday, October 27, 2008
blood rites: book six of the dresden files
Right off the bat, this story is lighter then the last few have been. It starts out with Harry running from purple poo-flinging chimp-demons, which is less goofy then it sounds, to rescue a little of foo-dog puppies. And keeps going from there. This time, Harry has to help deflect a deadly curse from a visionary porn director, help out his vampire friend when his family comes after him, and root out a nest of vicious old-school Black Court vamps. Along the way, we get Kinkaid being too cool, Murphy in a dress, several extremely unlikely ways to die, family issues, a really cute dog, soulgazing on almost-human White Court vamps, mysteries about Harry's heritage, a good dose of his mentor, and some old fashioned vamp-hunting that goes way strange. Not to mention alot of porn stars, several crazy exes of the client, and the blood rituals of the title.
I'm glad Susan's out of the way. She's too good to be true, and she doesn't feel as real to me as all the other characters do. Plus, when she's gone, Murphy gets to be the main female in Harry's life, and she's more interesting. I like the way Harry and Murphy interact, and I like getting to know more about this badass chick.
And Thomas manages to have the sort of tragic lifestyle that vampires are always saddled with in these books without being all that typical at all, and the way Bucher plays with the steriotypes and comes out with freshness makes me happy.
The focus of this book was a little shifted; there's the massive three-part story line we've all come to expect, but the emphesis seemed to be more on characters this time, with less exploding of stuff and killing of badguys, though it wasn't at all lacking in that sort of thing. It just felt more... real, this time. This far into a series, it's easy to shorthand relationships and assume your readers know how everyone's connected and how they feel about each other, but Bucher isn't doing that, and I love him for it.
I'm glad Susan's out of the way. She's too good to be true, and she doesn't feel as real to me as all the other characters do. Plus, when she's gone, Murphy gets to be the main female in Harry's life, and she's more interesting. I like the way Harry and Murphy interact, and I like getting to know more about this badass chick.
And Thomas manages to have the sort of tragic lifestyle that vampires are always saddled with in these books without being all that typical at all, and the way Bucher plays with the steriotypes and comes out with freshness makes me happy.
The focus of this book was a little shifted; there's the massive three-part story line we've all come to expect, but the emphesis seemed to be more on characters this time, with less exploding of stuff and killing of badguys, though it wasn't at all lacking in that sort of thing. It just felt more... real, this time. This far into a series, it's easy to shorthand relationships and assume your readers know how everyone's connected and how they feel about each other, but Bucher isn't doing that, and I love him for it.
books: death masks, book five of the dresden files
Poor Harry has had a rough time of it. He falls in love and she falls into vampire clutches. He's trying to save her and getting nowhere. And now she's back in town with another guy, and he still loves her. Meanwhile, the Vampires have called him out in a challenge that will settle the war once and for all in one-on-one combat, he's up against these Fallen Angels who take over peoples' souls and make them nearly invincible, and he's on the case of the stollen Shroud of Turin, and this is bad enough that Michael isn't the only Knight of the Cross in town. Turns out the villains this week want to start the Apocalypse the classical way-- with a plague of plagues.
And there's new characters and new threads to the story! We get to meet Ivy, the Archive of all human knowledge. She's seven years old and cosmically powerful and knows everything that's ever been known. And we meet her bodyguard Kincaid, who's cool as all get out and almost supernaturally dangerous, though he claims he's normal. We learn that the Red Court isn't going to stop, even after they get Harry out of the way. We learn of the Fellowship that helps people who have been victimized by vamps, including people who have been half turned like Susan. And we learn a few interesting secrets about Marcone.
Book five is a good one, lots of action without so much of the hopelessness. It even has a little super-kinky and dangerous vampire lovin that kind of squicked me out even as I thought it was really hot, and it ended on a more hopeful note, wit Harry regaining some of his perspective and easing up on himself so that he can move on. Which is good. Sad desperate Harry is not as much fun as snarky hopeful Harry.
And there's new characters and new threads to the story! We get to meet Ivy, the Archive of all human knowledge. She's seven years old and cosmically powerful and knows everything that's ever been known. And we meet her bodyguard Kincaid, who's cool as all get out and almost supernaturally dangerous, though he claims he's normal. We learn that the Red Court isn't going to stop, even after they get Harry out of the way. We learn of the Fellowship that helps people who have been victimized by vamps, including people who have been half turned like Susan. And we learn a few interesting secrets about Marcone.
Book five is a good one, lots of action without so much of the hopelessness. It even has a little super-kinky and dangerous vampire lovin that kind of squicked me out even as I thought it was really hot, and it ended on a more hopeful note, wit Harry regaining some of his perspective and easing up on himself so that he can move on. Which is good. Sad desperate Harry is not as much fun as snarky hopeful Harry.
Thursday, October 23, 2008
books: death masks, book five of the dresden files
Poor Harry has had a rough time of it. He falls in love and she falls into vampire clutches.
He's trying to save her and getting nowhere. And now she's back in town with another guy,
and he still loves her. Meanwhile, the Vampires have called him out in a challenge that will
settle the war once and for all in one-on-one combat, he's up against these Fallen Angels
who take over peoples' souls and make them nearly invincible, and he's on the case of the
stollen Shroud of Turin, and this is bad enough that Michael isn't the only Knight of the
Cross in town. Turns out the villains this week want to start the Apocalypse the classical
way-- with a plague of plagues.
And there's new characters and new threads to the story! We get to meet Ivy, the Archive of
all human knowledge. She's seven years old and cosmically powerful and knows everything
that's ever been known. And we meet her bodyguard Kincaid, who's cool as all get out and
almost supernaturally dangerous, though he claims he's normal. We learn that the Red
Court isn't going to stop, even after they get Harry out of the way. We learn of the
Fellowship that helps people who have been victimized by vamps, including people who
have been half turned like Susan. And we learn a few interesting secrets about Marcone.
Book five is a good one, lots of action without so much of the hopelessness. It even has a
little super-kinky and dangerous vampire lovin that kind of squicked me out even as I
thought it was really hot, and it ended on a more hopeful note, wit Harry regaining some of
his perspective and easing up on himself so that he can move on. Which is good. Sad
desperate Harry is not as much fun as snarky hopeful Harry.
He's trying to save her and getting nowhere. And now she's back in town with another guy,
and he still loves her. Meanwhile, the Vampires have called him out in a challenge that will
settle the war once and for all in one-on-one combat, he's up against these Fallen Angels
who take over peoples' souls and make them nearly invincible, and he's on the case of the
stollen Shroud of Turin, and this is bad enough that Michael isn't the only Knight of the
Cross in town. Turns out the villains this week want to start the Apocalypse the classical
way-- with a plague of plagues.
And there's new characters and new threads to the story! We get to meet Ivy, the Archive of
all human knowledge. She's seven years old and cosmically powerful and knows everything
that's ever been known. And we meet her bodyguard Kincaid, who's cool as all get out and
almost supernaturally dangerous, though he claims he's normal. We learn that the Red
Court isn't going to stop, even after they get Harry out of the way. We learn of the
Fellowship that helps people who have been victimized by vamps, including people who
have been half turned like Susan. And we learn a few interesting secrets about Marcone.
Book five is a good one, lots of action without so much of the hopelessness. It even has a
little super-kinky and dangerous vampire lovin that kind of squicked me out even as I
thought it was really hot, and it ended on a more hopeful note, wit Harry regaining some of
his perspective and easing up on himself so that he can move on. Which is good. Sad
desperate Harry is not as much fun as snarky hopeful Harry.
Monday, October 6, 2008
books: storm front, book one of the dresden files
By Jim Bucher
Meet Harry Dresden. Chicago's only openly practicing Wizard.
If you've seen the show, you know the basic idea of what the story's about: scruffy, poor wizard tries to solve crimes like a sort of magical PI-- more of the noir type then the Magnum type. He's got no money, he's never sleeping or eating enough, he's stubbornly old-fashioned, cocky, self-assured in an entirely lunatic way sometimes, and he's used to walking the lines between crazy and law-abiding. He works with Murphy in the Police Department to solve weird cases of a magical sort to supplement the little money he makes on his own.
Book One starts with three problems: A police case where people's hearts are blown out, a scared woman looking for her husband, and the Mob wanting to pay him not to bother with either. And from there, it all gets weird.
Guys, it's a really fun book to read. I started late Saturday night, and had it finished by 1:30 this morning, and that was with time off to do actual day-time things like clean the house, cook dinner and go to the store at eleven thirty for groceries. It's well-written in a way that isn't at all self-complicating-- all first person, all inside Harry's head, and while his magical skills give him extra insight, he's really just a normal guy with a strong sense of right and wrong, duty and debt, and he knows when he messes up, knows when he's not being nice and has to and feels bad about it, and is resigned to the fact that he can't really have a normal life, but still isn't all that happy about it. He's an appealing POV, a man who knows what he has to do and tries his best to do it right, and when things go wrong, still tries to get the right thing done, even if it means his death, and even if he's got a mystical death sentence hanging over him, restricting what he's allowed to do.
There's fairies, ghosts, all sorts of spirits and demons, a black wizard, conjured monsters, Mafioso, a tabloid reporter with unclear motives, damsels in distress, chicks that'll kick your ass, really neat magic...
When I finished this one, I went up stairs to my neighbor's house and immediately borrowed the next one, and started it before I went to bed. There's nine more to go: let's see how they hold up, shall we?
Meet Harry Dresden. Chicago's only openly practicing Wizard.
If you've seen the show, you know the basic idea of what the story's about: scruffy, poor wizard tries to solve crimes like a sort of magical PI-- more of the noir type then the Magnum type. He's got no money, he's never sleeping or eating enough, he's stubbornly old-fashioned, cocky, self-assured in an entirely lunatic way sometimes, and he's used to walking the lines between crazy and law-abiding. He works with Murphy in the Police Department to solve weird cases of a magical sort to supplement the little money he makes on his own.
Book One starts with three problems: A police case where people's hearts are blown out, a scared woman looking for her husband, and the Mob wanting to pay him not to bother with either. And from there, it all gets weird.
Guys, it's a really fun book to read. I started late Saturday night, and had it finished by 1:30 this morning, and that was with time off to do actual day-time things like clean the house, cook dinner and go to the store at eleven thirty for groceries. It's well-written in a way that isn't at all self-complicating-- all first person, all inside Harry's head, and while his magical skills give him extra insight, he's really just a normal guy with a strong sense of right and wrong, duty and debt, and he knows when he messes up, knows when he's not being nice and has to and feels bad about it, and is resigned to the fact that he can't really have a normal life, but still isn't all that happy about it. He's an appealing POV, a man who knows what he has to do and tries his best to do it right, and when things go wrong, still tries to get the right thing done, even if it means his death, and even if he's got a mystical death sentence hanging over him, restricting what he's allowed to do.
There's fairies, ghosts, all sorts of spirits and demons, a black wizard, conjured monsters, Mafioso, a tabloid reporter with unclear motives, damsels in distress, chicks that'll kick your ass, really neat magic...
When I finished this one, I went up stairs to my neighbor's house and immediately borrowed the next one, and started it before I went to bed. There's nine more to go: let's see how they hold up, shall we?
Subscribe to:
Posts (Atom)